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wholesale gents kurta churidar, silk, cotton, polysilk, churidar, kurtas, chudidar kurta manufacturer, mens designer kurtas, hand embroidered gents long kurtas, hand batik punjabis, hand dyed batik wear, mens designer collection embroidered punjabi churidar, manufacturer, kurta exporter |
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| Mens Party wear Kurta, Churidar kurta manufacturer, gents hand-embroidered punjabi kurtas, batik work kurta punjabi manufacturer, exporter | |||||||||||||||||||||||||||||||||||||||
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These are gents kurta with exclusive hand embroidery works. Someof them are hand batiks too.
Hand batik kurtas are exotic as well as cool to wear.
They are usually worn over a churidar or payjama below. They can be used for party or evening wear for gents. Batik has been both an art and a craft for centuries. In India, Java, Indonesia, batik is part of an ancient tradition
with finest dexterity and some of the finest batik cloth in the world is still made there. Contemporary batik, while owing much to the past, is markedly different from the more traditional and formal styles. For example, the artist may use etching, discharge dyeing, stencils, different tools for waxing and dyeing, wax recipes with different resist values and work with silk, cotton, wool, leather, paper or even wood and ceramics.
Hand dyed Batik is historically the most expressive and subtle of the resist methods. The ever widening range of techniques available offers the artist the opportunity to explore a unique process in a flexible and exciting way. Batik is also found in several countries of West Africa, such as Nigeria, Cameroon and Mali, and in Asia, such as India, Sri Lanka, Bangladesh, Iran, Malaysia and Thailand. |
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| Maroon hand dyed batik gents kurta | Yellow mens wear | Off white batik mens kurta | Black hand embroidered pujabi | ||||||||||||||||||||||||||||||||||||
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| Off white churidar kurta | White churidar kurtas | Bright blue gents kurta | Traditional white men's wear. | ||||||||||||||||||||||||||||||||||||
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How to do a Hand Batik: Melted wax is applied to cloth before being dipped in dye. It is common for people to use a mixture of bees wax and paraffin wax. The bee's wax will hold to the fabric and the paraffin wax will allow cracking, which is a characteristic of batik. Wherever the wax has seeped through the fabric, the dye will not penetrate. Sometimes several colors are used, with a series of dyeing, drying and waxing steps. Thin wax lines are made with a canting needle (or a jaunting tool), a wooden handled tool with a tiny metal cup with a tiny spout, out of which the wax seeps. Other methods of applying the wax onto the fabric include pouring the liquid wax, painting the wax on with a brush, and applying the hot wax to preserved wooden or metal wire block and stamping the fabric. Dipping a cloth in a dye. A batik painting depicting two Indian women. After the last dyeing, the fabric is hung up to dry. Then it is dipped in a solvent to dissolve the wax, or ironed between paper towels or newspapers to absorb the wax and reveal the deep rich colors and the fine crinkle lines that give batik its character. This traditional method of batik making is called Batik Telis. The invention of the copper block or cap developed by the Javanese in the 20th century revolutionized batik production. It became possible to make high quality designs and intricate patterns much faster than one could possibly do by hand-painting. This method of using copper block to applied melted wax pattern is called Batik Cap. Indonesian batik used for clothing normally has an intricate pattern. The traditional ones carry natural colors while the contemporary ones have more variety of color. Some batik may be mystic-influenced, but very rarely used for clothing. Some may carry illustrations of animals and people. |
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